Watching
a 70mm print of Phantom Thread made me realize how quickly we have got
used to digital projection in the last decade and how it's taken some of
the romance out of cinema going. When we see film projected these days
it can't help but seem nostalgic. The imperfections of the medium that
give it it's warmth; the bob & weave, the dust sparkle, the splice
marks between reels etc. are far more noticeable now our eyes have got
used to clean lines and crisp digital pictures.
Most
films that are presented on 70mm do so in order to show off the greater
depth of latitude that film offers over digital but I was interested to
hear that Paul Thomas Anderson's reasons for shooting on 35mm and then
blowing up to 70mm were actually to highlight the imperfections of film.
He wanted to dirty up the image and give it more grain, feeling that
35mm stock has become too good, too clean and too close to the digital
images that have replaced it.
The
film is a triumphant return to form for Anderson after his last film,
the divisive Inherent Vice (2014) left many viewers bewildered (myself
included). Daniel Day Lewis is excellent as always in what he says will
be his last acting role and Jonny Greenwood finally gets an oscar nod
for his lush versatile score and stakes a claim for the title of
greatest film composer of the modern era.
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