When The Specials original lineup disbanded in 1981 following the
success of their biggest hit Ghost Town Jerry Dammers retreated to the
studio for two years and returned with the aptly named In The Studio
under the name Special AKA.
The album was preceded by one of the most harrowing songs ever to
trouble the UK charts. The Boiler with Rhoda Dakar is about a girl with
low self esteem who is assaulted and raped, the screams and sobs at the
songs climax making it very much a song people would only ever listen to
once and drastically limiting it's radio play.
The album that followed didn't contain anything quite as dark as The
Boiler but continued with the bleak themes; war, racism, police
corruption etc. The record was a commercial failure, due in the main to
the record company deciding it wasn't worthy of any promotion and, the
upbeat protest number Free Nelson Mandela aside, has largely been
written out of the bands history.
Dammers was disillusioned by the records failure and never released
another album and yet listening today to the remastered reissue it's
clear that this was his greatest achievement, his Pet Sounds. In The
Studio is a compelling mix of ideas and styles - a musically complex
hybrid of Jazz, Reggae and Soul leaps and bounds ahead of the simplistic
Ska Punk of The Specials more well known first album, justifying the
time Dammers spent recording it and cementing the notion that The
Specials/ Special AKA were one of the most important and influential
bands of the early 80's.
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