There's good advice in this month's Sight and Sound from the king of
trash John Waters. Asked at a Q&A by someone in the audience for
filmmaking tips for their 12 year old son he told them to "show him
everything, good or bad, especially the bad."
I like to think that I learn something about filmmaking every time I
watch a film regardless of it's quality. And in some ways you can learn a
lot more from the mistakes filmmakers have made than by a near perfect
film; a Raging Bull or an Annie Hall say.
When choosing a film to screen at my 40th birthday party I thought it
would be cool to show a cult film that would be fun to watch with a crowd
but not necessarily something I considered an example of good
filmmaking. I watched a few films that always crop up in the 'so bad
they are good' lists and although they were entertaining in parts I soon
grew bored of their technical shortcomings.
In the end I went with Cannon Films Sylvester Stallone vehicle from 1987
'Over the Top' - I think the only film ever to be set in the world of
pro arm wrestling, and it proved to be a big hit with the audience. It is a bad film but technically proficient; well shot, well edited and
with a fantastic Giorgio Moroder produced score, and I think this makes
it easier to immerse yourself in and really enjoy the terrible script
and (over) acting.
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